Real jobs for real customers, photographed as they shipped. Pick a category to see just that work, or scroll to browse it all.
Showing all 9 jobs.
Dragons, busts, figures, dice — anything that lives or dies on detail.
Individual scales, wing membranes, and crystal base printed at 25 microns — the magnified shots are the print itself, not a render. This is what SLA does that filament can't.
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A digital sculpt with sub-millimeter facial detail — every braid, rope, and coat seam survived the print. Layer lines don't exist at this resolution.
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A one-of-one keepsake of a customer's schnauzer, name engraved in the base. Fur texture printed strand by strand at 25 microns.
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Three headstones, a root system crawling over the mound, and no assembly — the whole base prints as one piece, so there is no glue seam running across the front of a stone. Shown in copper and in grey.
Quote a part like this →1:12 furniture, dollhouse pieces, set dressing, architectural massing.
Miniature furniture for interiors, dollhouses, and set design. Every button tuft and carved scroll printed clean — verified with calipers before it shipped.
Quote a part like this →Fit checks, functional one-offs, and both processes side by side — resin for detail, filament for size and toughness.
The dragon on the right is resin; the boat on the left is filament. Same idea, different physics — detail wants resin, size and toughness want filament. We run both, so the honest answer costs you nothing.
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This is the calibration boat every printer runs, in filament, and the magnified shots show exactly what filament is: layers you can count. That is not a fault — it is the trade. What it buys you is a part more than three times the size of anything the resin printer can hold, tougher in the hand, and cheaper by volume. When your part needs that more than it needs 25 microns, this is the machine it goes on.
Quote a part like this →Castable wax patterns that burn out clean for your caster.
A solitaire printed whole — shank, gallery, and a head whose prongs come out thinner than the clamp holding it. That head is the whole test: if the prongs print soft or the shank steps, anything cast from the pattern inherits the fault.
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The knotwork is the point. Every strand passes over and under its neighbors with real daylight between them — and at this size those gaps are exactly where a filament nozzle bridges and turns a pattern into a blob.
Quote a part like this →Massing models, façade studies, presentation pieces.
We print it; the camera hasn't caught up. Be the first — send your file →Brackets, housings, the unglamorous thing that broke.
The unglamorous stuff works too — send it. Be the first — send your file →